Sunday, October 27, 2013

Obstruction Obfuscation

Allen Craig and Will Middlebrooks
Allen Craig of the St. Louis Cardinals gets tripped up by Will Middlebrooks of the Boston Red Sox during the ninth inning of Game 3 of the 2013 World Series.

Photo by Rob Carr/Getty Images








This article originally appeared on Baseball Prospectus. Follow Baseball Prospectus during the playoffs for expert commentary and analysis of every series, and consider subscribing for just $39.95 per year.














We don't nearly appreciate the extent to which luck decides who wins or loses baseball games. We think we do, because we look at BABIP and Pythagorean records and such, but really there are layers upon layers of luck—luck being the loaded word; good fortune being perhaps the more accurate phrase, and more generous—that we either don't notice or don't anticipate. The ending to Game 3 of the World Series would fall under the luck we don't anticipate.










By now, you've made up your mind on whether the obstruction call that granted Allen Craig safe passage home with the winning run was the right call. You're probably so certain of your decision that you can't even imagine a person would dispute your ruling. It's so obvious! How could you miss that? Without a doubt, that was/wasn't obstruction. But, whether the call was right or wrong, we should recognize that the very fact that so many people currently disagree with each other about it is evidence that it's not nearly that simple. It very easily could have gone the other way, right or wrong.












The rulebook, for example, is extremely specific on this play. At the end of Rule 2.00 (Obstruction) Comment, it lays out this exact scenario: "For example: if an infielder dives at a ground ball and the ball passes him and he continues to lie on the ground and delays the progress of the runner, he very likely has obstructed the runner." It's so specific. It is as though this play happened and they wrote the rule immediately after with a play exactly like this one in mind. And the rule they came up with is ... ambivalent! "He very likely has obstructed the runner." Not "he has," but "he very likely has." Probably. Maybe. Up to you to decide. Use your best judgment. What am I, God?










A few statements of fact:










1. Will Middlebrooks attempted to field a ball he had the right to field.
2. Upon failing to field that ball, he was in a position to impede Allen Craig's attempt to score.
3. Allen Craig has a generally acknowledged right to attempt to score. 
4. He (Craig) did not do anything unusual or unnatural. He stood up, ran toward home, and was thwarted. 
5. Therefore, Middlebrooks has "very likely" obstructed the runner.










Here's the GIF that you've probably already seen, from @cjzero:














Now, in the defense of uncertainty:










1. A reasonable person might consider Middlebrooks to have still been in the act of attempting to field the ball. He had not moved on to another action. He had not failed to move, with unnecessary delay. If—and, frankly, we're going to get into hypotheticals not because I want to convince you of anything but because they are the best way to grapple with the consequences of our assumptions—Middlebrooks had leapt for the ball, surely his descent to earth would still be considered part of the act of attempting to field the ball. So, the umpires are forced to grapple with difficult decision no. 1: When does Middlebrooks stop being a defender and start being an obstruction? When does he go from lying on the ground to "continu(ing) to lie on the ground," as specified in the rule? Is it the second a ball is one inch past him? Maybe! But that's an awfully demanding requirement, and one that might make an umpire look at the "very likely" portion of that rule and conclude that the defender acting in good faith falls into the implied exceptions.










2. Upon failing to field that ball, he was in a position to impede Allen Craig's attempt to score because of Allen Craig himself. Maybe, at least. Here's the frame-by-frame of the play:














Frame 1: Middlebrooks reaches for the throw, which is leading him away from the base.














Frame 2: Middlebrooks begins to lean.














Frame 3: Middlebrooks, standing in front of the base, appears to have his glove hit by Craig, sliding.














Frame 4: It's not easy to say conclusively, but it appears that Craig's upper body is now colliding with Middlebrooks' arm, and his left leg or even right knee might have made contact with Middlebrooks' left leg.














Frame 5: Middlebrooks topples over, putting all the parties in place for an obstruction call. In Timothy Burke's GIF of the trip itself, Middlebrooks' body is lying on the ground at an angle that suggests he was spun a bit, like by Craig. Naturally, Craig has every right to slide into the base. Just like Middlebrooks has every right to dive for a ball in an attempt to field it. Does it change the math from step 1, when we try to determine when Middlebrooks gave up his rights, if Craig is himself the reason for Middlebrooks ending up in an obstructing position? Remember: "very likely has obstructed." The rules want us to consider these things.










3. Yes, Allen Craig has a right to score, by running in a baseline toward his next base. And, yes, the baseline is that line which he himself sets when he starts toward the base. Allen Craig was running in his baseline and Will Middlebrooks lifted his feet up and blocked that baseline. But Middlebrooks, in a more generous interpretation of the play, lifted his feet away from the more common baseline. For all we know, he was trying to clear a space for Craig, and was simply unfortunate that Craig was running a somewhat unconventional route.










Now, the natural response to this is a great response: Intent doesn't matter. (This is a great response as nearly all defenses of the obstruction call are great defenses; it being the case, after all, that an obstruction call is completely reasonable! As would be, many intelligent people would argue, a non-obstruction call.) Intent doesn't matter in sports officiating, but of course intent does matter sometimes. Falling down in soccer isn't against the rules; falling down on purpose, to deceive the officials, is. Throwing a baseball that hits a batter isn't against the rules; doing so intentionally very much is. The neighborhood play at second base is simply a fielder failing to touch the bag but doing so intentionally, and being granted leniency by the knowing umpires. (The word intention appears in the rulebook 47 times.) Heck, umpires often fail to call a strike when the pitch, though in the zone, is not where the pitcher and catcher had intended it. That last one is a lousy part of umpiring that should make you mad, but it establishes a basic fact about umpires: they consider intent. It is perfectly consistent with how umpires do their jobs, and how the game is played. In a situation like this, where the rule is intentionally ambiguous, then it is arguably truer to the nature of the sport for intent to be considered.










I lean toward calling obstruction, and I lean toward cleaning up the wording in the rulebook before this happens again and/or starts getting exploited by runners who realize that the rulebook apparently gives them exploitably broad rights. Of course, if runners started abusing this—intentionally running into defenders on the ground—I assume umpires would stop granting them bases. Intent, after all, matters to umpires.










My point is not that the umpires made the right call, or the wrong call. It is that they very easily could have made either call. The only wrong opinion in this case is certainty, because the rulebook very specifically leaves room for uncertainty. It was the Cardinals' good fortune that it went their way, and the Red Sox' bad fortune that it didn't go their way. Will Middlebrooks didn't do anything wrong. Allen Craig didn't do anything wrong. There's no morally right solution in this rulebook, so Dana DeMuth and Jim Joyce chose the morally neutral one: They more or less guessed.










This article originally appeared on Baseball Prospectus. Follow Baseball Prospectus during the playoffs for expert commentary and analysis of every series, and consider subscribing for just $39.95 per year.








Source: http://www.slate.com/articles/sports/sports_nut/2013/10/world_series_obstruction_did_the_umps_make_the_right_call_on_the_crazy_play.html
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Lou Reed, Beloved Contrarian, Dies






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    American rock singer-songwriter Lou Reed performs at the Hammersmith Odeon in London in 1975. He is playing a transparent, plexiglass guitar. Reed died Sunday at the age of 71.





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    Reed and Nico perform with Velvet Underground in 1972.





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    Reed, Mick Jagger and David Bowie share a joke at a party at Cafe Royal thrown by Bowie in 1973.





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    Reed performs at the Regent Theater in Melbourne, Australia, in 2000.





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    Maureen Tucker, Martha Morrison (wife of Sterling Morrison), John Cale and Lou Reed pose for photographers shortly after The Velvet Underground was inducted into the Rock and Roll Hall of Fame, Jan. 17, 1995.





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    Reed performs his album Berlin at the CCH Congress Center in Hamburg in 2008.





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    Reed presents his photography exhibition at the Matadero cultural center in Madrid on Nov. 16, 2012.





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    Reed attends an event for the photography book Transformer, by Mick Rock, in New York City on Oct. 3.





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One of rock's most beloved and contrarian figures has died. Lou Reed epitomized New York City's artistic underbelly in the 1970s, with his songs about hookers and junkies. He was 71.


Reed died Sunday morning on Long Island of complications from a liver transplant earlier this year, his literary agent, Andrew Wylie, said.



The famous iconoclast actually got his start as a staff songwriter pumping out pop tunes in a wannabe hit factory called Pickwick Records. Reed recalled his days as a frothy pop lyricist in a 1989 NPR interview.



"When I first started out I really liked the spontaneity of it, cause you know I've got a B.A. in English — not that that means I should be good at it, but it gives me some kind of background in it," he said. "I thought I was pretty fast."


Lou Reed was fast. In more ways than one. He went from hit factory to Andy Warhol's Factory, the epicenter of trashy, avant-garde experimentation in '60s New York. Warhol mentored Reed and his band, The Velvet Underground. He urged them to keep things gritty. The band's Welsh co-founder, John Cale, told NPR in 2000 that the band was never easy listening.



"We were not user-friendly at all," he says. "Anyone listening to a bass guitar and regular guitar coming out of the same amp — it couldn't have been a really great listening experience."


Beyond their sound, The Velvet Underground disturbed even hard-core scenesters with graphic songs about debauchery and doing drugs. In an interview on WHYY's Fresh Air, drummer Moe Tucker remembered performing the song "Heroin": "We got fired from the Cafe Bizarre," she said. "The woman came rushing up to us and said, 'If you play one more song like that you're fired.' "


They did, and they were, and the band's albums did not sell very well. Reed left and embarked on a spotty solo career that reflected his up and down life enthralled with New York's darker corners and the hustlers who hid there.


"Walk on the Wild Side" became Reed's only Top 40 hit, partly because a number of radio station programmers had no idea what it was really about. The album it came from, Transformer — co-produced by David Bowie — brought Reed critical acclaim and attention. Which Reed, in characteristic fashion, hated. That played out in interviews, including one in 1989 with NPR's Bob Edwards, who asked Reed about his choice of subjects.



"I mean, it might be harder to write about a chair," he said. "As a matter of fact, it would be harder to write about a chair. I mean, I could write a song about a chair: Who sat in this chair. Who built this chair. How long had this chair been here. You could do that."


And a few years later, while promoting his album The Raven, Reed vented to another NPR host, who wanted to know how other journalists had somehow mixed up Reed's original lyrics with the writings of Edgar Allan Poe.


"Well, if you're deaf, dumb and retarded, it's easy. I can't believe people interview me for this stuff and don't notice," he says. "I grade them and I put them on my website when they fail really badly, to warn other people, other musicians: 'Watch out for this interviewer.' It's like talking to a squirrel."


As ornery as Reed was with journalists, he was often supportive of other artists. He influenced REM, The Replacements and Talking Heads, and he collaborated with musicians ranging from Metallica to a young woman he met at a concert.


"I just said, 'Hey, hey Lou Reed. This is Emily Haines.' " Haines talked to NPR in 2012 about her band, Metric. She said Reed asked her if she would rather be in The Beatles or The Rolling Stones. She said The Velvet Underground. Then she asked if he would sing on her album. "I just asked him, and he said, 'Yes.' "


When Reed was not onstage or working with other artists, he was happiest in New York City, where he mellowed into a Lower Manhattan elder statesman, riding his bike, practicing tai chi and taking photos. He could get cranky about his own composition.


"I did not place that stupid bird there," he said in an interview he gave Weekend Edition in 2006, walking around his neighborhood with his camera. "The light comes and goes so quickly when it's perfect. You know that. There's a certain time in the morning, certain time around dusk, where the light is golden."


An ephemeral moment, like Warhol's Factory. Or a city sunset. "And I wanted to catch that," he said. Lou Reed caught it — on celluloid and vinyl.


Source: http://www.npr.org/blogs/therecord/2013/10/27/240819314/lou-reed-beloved-contrarian-has-died?ft=1&f=1039
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Banners reflect hard-line backlash in Iran

A poster depicting an American negotiator wearing a suit jacket and tie at a negotiating table and a dog to his side is displayed in Palestine square, Tehran, Iran, Sunday, Oct. 27, 2013. Iranian President Hassan Rouhani has described his outreach to the U.S. as part of a "new era'' and a chance to put the nuclear standoff with the West to rest. (AP Photo/Ebrahim Noroozi)







A poster depicting an American negotiator wearing a suit jacket and tie at a negotiating table and a dog to his side is displayed in Palestine square, Tehran, Iran, Sunday, Oct. 27, 2013. Iranian President Hassan Rouhani has described his outreach to the U.S. as part of a "new era'' and a chance to put the nuclear standoff with the West to rest. (AP Photo/Ebrahim Noroozi)







A poster depicting an American negotiator wearing a suit jacket and tie at a negotiating table and a dog to his side is displayed in Palestine square, Tehran, Iran, Sunday, Oct. 27, 2013. Iranian President Hassan Rouhani has described his outreach to the U.S. as part of a "new era'' and a chance to put the nuclear standoff with the West to rest. (AP Photo/Ebrahim Noroozi)







(AP) — Banners that suddenly cropped around Tehran in the past week depict an American diplomat dressed in a jacket and tie, while under the negotiating table he is wearing military pants and pointing a gun at an Iranian envoy.

The anti-American images were ordered taken down Saturday by Tehran authorities. But they made their point.

It was another salvo by hard-liners who are opposed to President Hassan Rouhani's pursuit of better ties with Washington and worried that Iran could make unnecessary concessions in its nuclear program in exchange for relief from Western sanctions.

The banners and posters were something of a warm-up to the main event: Rouhani's critics are planning major anti-U.S. rallies — and amped-up "Death to America" chants — on the Nov. 4 anniversary of the U.S. Embassy takeover in 1979 following the Islamic Revolution.

Anti-American murals have long been part of the urban landscape in Iran, and include images of the Statue of Liberty transformed into a creepy skeleton and bombs raining down from the Stars and Stripes. The storming of the U.S. Embassy is marked every year with protests outside the compound's brick walls.

Now, however, the images reflect internal divisions in Iran and suggest more intrigue ahead.

Rouhani's groundbreaking overtures to the U.S. appear to have the backing of Iran's supreme leader, Ayatollah Ali Khamenei. This means that — at least for the moment — he has the ultimate political cover to try to reach a nuclear deal and perhaps find other ways to cross the 34-year diplomatic no man's land between the countries.

However, the criticism and protests by hard-line resisters, led by the Revolutionary Guard, are as much directed at Rouhani's government as they are intended as a message for the supreme leader.

The Guard and others know that Khamenei does not want to risk an open confrontation that could sow further discord in Iran. The subtext of the posters and banners: More pressure could come if Rouhani's government is perceived as moving too fast toward concessions when nuclear talks resume next week in Geneva with the U.S. and other world powers.

The signs had an ad-agency quality that is rare compared with the usual anti-American fare of simple fliers and hand-lettered placards.

"American Honesty," read one in Farsi and slightly mangled English, showing the U.S. negotiator with the gun under the table.

Another depicted an American negotiator in a suit, a black attack dog by his side. The third one showed an open hand facing the open claws of what appeared to be an eagle, the symbol of the U.S.

On Sunday, with most of the images taken down, new posters popped up around Tehran. They contained just one sentence, in Farsi: "We don't oppress and don't allow to be oppressed."

The high production values of the banners and posters suggest possible connections to the powerful propaganda machinery of well-funded groups such as the Revolutionary Guard or its nationwide paramilitary network, known as the Basij.

Mohsen Pirhadi, head of Basij's Tehran branch, said he ordered the posters put up, but gave no further details on the designers or financial backers.

"These posters were in line with the interests of the (ruling) system," the Bahar newspaper quoted him as saying Saturday.

A day earlier, protesters trampled posters of Wendy Sherman, the chief U.S. nuclear negotiator with Iran, who said earlier this month that past experience suggests "deception is part of the DNA" of the nuclear talks. Iran's hard-line media, however, added "Iranian" to the quote and stirred outrage.

"Our people have seen nothing but dishonesty, deception of public opinion, betrayal and back-stabbing by Americans during the past years. ... Therefore, there is no way they can trust American promises and deceiving smiles," hard-line politician Hamid Reza Taraqi told The Associated Press on Saturday.

Israel and others suspicious of Iran have used similar language to question Rouhani's sincerity.

A conservative lawmaker, Hamid Rasaei, decried the order to take down the posters and banners. "Why is a group seeking to erase the 34-year-old honor of the Iranian nation?" he told Parliament on Sunday.

A moderate lawmaker, Mohammad Javad Kowlivand, demanded a probe into the U.S.-bashing campaign.

Political analyst Hamid Reza Shokouhi said opposition to Rouhani's outreach reflects the insecurities that come with any bold diplomatic gestures.

"Public opinion cannot easily digest that everything has suddenly changed," he said.

Associated PressSource: http://hosted2.ap.org/APDEFAULT/3d281c11a96b4ad082fe88aa0db04305/Article_2013-10-27-Iran-Poster%20Pressure/id-fe996fc261144edab3ba858d18bb3077
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Obstruction call gives Cardinals 5-4 win in Game 3


ST. LOUIS (AP) — The Cardinals rushed to the plate to congratulate Allen Craig. The Red Sox stormed home to argue with the umpires.

The fans, well, they seemed too startled to know what to do. Who'd ever seen an obstruction call to end a World Series game?

No one.

In perhaps the wildest finish imaginable, the rare ruling against third baseman Will Middlebrooks allowed Craig to score with two outs in the bottom of the ninth inning and lifted St. Louis over Boston 5-4 Saturday night for a 2-1 edge.

A walk-off win? More like a trip-off.

"I'm in shock right now," St. Louis catcher Yadier Molina said.

So was most everyone at Busch Stadium after the mad-cap play.

"Tough way to have a game end, particularly of this significance," Red Sox manager John Farrell said.

After an umpire's call was the crux of Game 1 and a poor Boston throw to third base decided Game 2, the key play on this night combined both elements.

Molina singled with one out in the ninth off losing pitcher Brandon Workman. Craig, just back from a sprained foot, pinch-hit and lined Koji Uehara's first pitch into left field for a double that put runners on second and third.

With the infield in, Jon Jay hit a grounder to diving second baseman Dustin Pedroia. He made a sensational stab and threw home to catcher Jarrod Saltalamacchia, who tagged out the sliding Molina.

But then Saltalamacchia threw wide of third trying to get Craig. The ball glanced off Middlebrooks' glove and Craig's body, caroming into foul territory down the line.

After the ball got by, Middlebrooks, lying on his stomach, raised both legs and tripped Craig, slowing him down as he tried to take off for home.

"I just know I have to dive for that ball. I'm on the ground. There's nowhere for me to go," Middlebrooks said.

Third base umpire Jim Joyce immediately signaled obstruction.

"With the defensive player on the ground, without intent or intent, it's still obstruction," Joyce said. "You'd probably have to ask Middlebrooks that one, if he could have done anything. But that's not in our determination."

Craig kept scrambling.

"He was in my way. I couldn't tell you if he tried to trip me or not. I was just trying to get over him," he said.

Left fielder Daniel Nava retrieved the ball and made a strong throw home, where Saltalamacchia tagged a sliding Craig in time. But plate umpire Dana DeMuth signaled safe and then pointed to third, making clear the obstruction had been called.

"I was excited at first because we nailed the guy at home. I wasn't sure why he was called safe," Middlebrooks said.

"We're all running to home to see why he was called safe. We didn't think there was any obstruction there, obviously. As I'm getting up, he trips over me. I don't know what else to say."

Said Cardinals slugger Matt Holliday: "You hate for it to end on a somewhat controversial play."

"You would like for it to end a little cleaner, but that's part of it," he said.

Joyce and crew chief John Hirschbeck said they'd never seen a similar game-ending play.

A neat coincidence, though: In 2004, umpire Paul Emmel called obstruction on Seattle shortstop Jose Lopez, ruling he blocked Carl Crawford's sightline and giving Tampa Bay the game-ending run. Emmel was the first base umpire on this night, too.

The umpires all agreed Joyce got it right. Until now, he was best known for making an admittedly wrong call in 2010 that denied Detroit's Armando Galarraga a perfect game.

Game 4 is Sunday night, with Clay Buchholz starting for Boston against Lance Lynn.

To some Cardinals fans, the call meant long overdue payback. They're still smarting from Don Denkinger's missed call that helped cost them the 1985 World Series.

To some Red Sox fans, the tangle might've brought back painful memories from the 1975 World Series. In Game 3, Cincinnati's Ed Armbrister wasn't called for interference by plate umpire Larry Barnett when he blocked Boston catcher Carlton Fisk on a 10th-inning bunt. Fisk made a wild throw, setting up Joe Morgan's winning single.

Craig returned for this Series from a sprained left foot that had sidelined him since early September. After an awkward slide on the final play, he hobbled off the field in apparent discomfort.

The Red Sox scored twice in the eighth to tie it 4-all. Jacoby Ellsbury led off with a single and Shane Victorino was hit by a pitch for the sixth time this postseason. Both runners moved up on Pedroia's groundout, and David Ortiz was intentionally walked.

Cardinals manager Mike Matheny went to hard-throwing closer Trevor Rosenthal with the bases loaded, hoping for a five-out save from a rookie who has looked almost untouchable this October. But the Red Sox pushed two runs across.

Nava drove in one with a short-hop grounder that was smothered by second baseman Kolten Wong, who had just entered on defense in a double-switch.

Wong went to second for the forceout, but Nava beat the relay and Ellsbury scored to make it 4-3. Xander Bogaerts tied it when he chopped a single up the middle.

Workman jammed Holliday and retired the slugger on a routine fly with two on to end the bottom of the eighth. That sent the game to the ninth tied at 4. Rosenthal wound up with the win.

Holliday's two-run double put the Cardinals on top 4-2 in the seventh.

It was a tough inning for Red Sox reliever Craig Breslow. Matt Carpenter reached safely when he checked his swing on an infield single to shortstop. Carlos Beltran was grazed on the elbow pad by a pitch — making no effort to get out of the way.

Beltran, in fact, almost appeared to stick his elbow out just a tiny bit to make sure the ball made contact.

Junichi Tazawa came on and Holliday pulled a grounder past Middlebrooks at third. The ball kicked into the left-field corner and Holliday went all the way to third on the throw to the plate.

Tazawa then got a couple of strikeouts and prevented further damage.

It was Middlebrooks' first inning in the field. He entered as a pinch-hitter in the top of the seventh and took over at third base in the bottom half.

That shifted Bogaerts to shortstop — and neither one was able to make the difficult defensive play Boston needed in that inning.

Cardinals starter Joe Kelly, one of the few major league pitchers to wear glasses on the mound, set down his first nine batters. The Red Sox seemed to see him better the next time around in coming back from a 2-0 deficit.

Bogaerts opened the fifth with a triple that banged-up right fielder Beltran couldn't quite reach. The rookie later scored on a grounder by pinch-hitter Mike Carp.

Slumping Shane Victorino drew a leadoff walk from Kelly in the sixth and wound up scoring the tying run. Ortiz grounded a single off lefty reliever Randy Choate, and Nava greeted Seth Maness with an RBI single that made it 2-all.

Their fielding woes from Game 1 far behind them, the slick-fielding Cardinals made several sharp plays. Kelly barehanded a one-hopper, Carpenter threw out a runner from his knees up the middle and third baseman David Freese backhanded a line drive.

St. Louis quickly broke ahead, scoring in the first inning for the first time this October on RBI singles by Holliday and Molina. After the Cardinals got three hits in a span of four pitches, Red Sox reliever Felix Doubront began heating up in a hurry before Jake Peavy settled down.

NOTES: With no DH, Red Sox slugger Mike Napoli was on the bench. Workman batted in the ninth and struck out; Farrell said he needed another inning from the reliever. ... Cardinals Hall of Famers Bob Gibson, Lou Brock, Ozzie Smith and Red Schoendienst took part in the first-ball festivities, with fan favorite Willie McGee tossing the pitch. ... At 21, Bogaerts became the third-youngest player to hit a triple in a World Series. Ty Cobb and Mickey Mantle did it at 20. ... Molina has a six-game hitting streak in World Series play. ... The family of late umpire Wally Bell was in the stands. Bell died at 48 this month, and the six-man crew is wearing patches to honor him. Bell's first plate job in the World Series was at this ballpark in 2006.

Source: http://news.yahoo.com/obstruction-call-gives-cardinals-5-4-win-game-050023262--spt.html
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Stuntman and 'Smokey' director Hal Needham dies


LOS ANGELES (AP) — Hal Needham, a top Hollywood stuntman who turned to directing rousing action films including "Smokey and the Bandit" and "The Cannonball Run," has died. He was 82.

His business managers tell the Los Angeles Times that Needham died Friday in Los Angeles.

A former paratrooper, Needham appeared in thousands of TV episodes and hundreds of movies, performing and designing stunts and new equipment to execute them.

Needham jumped from planes, was dragged by horses and wrecked cars — breaking 56 bones in the process.

His best-known directing efforts involved 1970s Burt Reynolds action comedies, including "Smokey," ''Cannonball Run" and "Stroker Ace." He also directed Arnold Schwarzenegger in "The Villain."

In a Twitter posting, Schwarzenegger calls Needham an icon.

Needham received an honorary Oscar last year.

Source: http://news.yahoo.com/stuntman-smokey-director-hal-needham-dies-113324810.html
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Solange and Pharrell Team Up for eBay

Celebrating one of the most popular internet marketplaces, Pharrell Williams and Solange Knowles attended the eBay Future of Shopping event at Industria Studios in New York City on Tuesday (October 22).


The "Get Lucky" singer sported a black jacket, red plaid shirt, blue jeans, and a gray fedora, while the stunning DJ gave her sister's gams a run for their money in black hotpants, a red and white blouse and heels.


Posting a photo of the two during the event, the hip-hop hitmaker tweeted, "Thank you @eBay for giving me the opportunity to participate as a curator for your newest collections feature."


It's an exciting month for Pharrell as he married his longtime girlfriend Helen Lasichanh with whom he has a 4-year-old son.


Source: http://celebrity-gossip.net/solange-knowles/solange-and-pharrell-team-ebay-947521
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